01
How long a show runs
on request Afterwards the operator clears the area and the machine settles into a resting pose.
Length
A rehearsed boxing round, a half circle of people that forms quickly, and afterwards a line of guests who would like a photo. Fight Night is our signature act, and it works in an exhibition hall as well as it does at an evening opening. It is a show, not a contest: every movement is rehearsed beforehand.
Ask about Fight NightFight Night is a rehearsed piece. Nothing is improvised and nothing is decided on the spot: the sequence is fixed in advance and rehearsed in simulation until it runs cleanly. That is why the show sits comfortably in a hall with children watching and in a room full of guests in suits — it is sport as a performance, built the way a stage number is built. If you like, we build a choreography of your own, a gesture from your campaign in the middle of the round, for instance.
The piece is not bought in, it is built from a video. That is precisely why we can change it for you.
A video, shot on any camera — Your own footage is enough: a filmed movement, a training clip, a shot from your campaign.
The pose is tracked out of the video — MediaPipe follows, joint by joint, what the person in the video is doing.
Fixed bone lengths instead of jumping points — The tracked pose is fitted to a rigid body with fixed bone lengths. That is what makes the motion stable enough for a machine.
Retargeted onto the Unitree G1 — In Isaac Sim and MuJoCo the motion is retargeted onto the G1 and rehearsed there; the walking is run by reinforcement-learning policies at 50 Hz. Only once it runs safely in simulation does it go onto the real machine.
The piece is deliberately short and repeats across the day, so that as many guests as possible catch one. We fit the times to your programme: if you have a stage, a speaking slot or an opening moment, we place the shows around it.
01
on request Afterwards the operator clears the area and the machine settles into a resting pose.
Length
02
on request We use the gaps between them to check the machine and prepare it for the next round.
Frequency
03
A full round: guard, footwork, rehearsed combinations, and a closing move towards the audience. Then there is time for photos.
Audience
04
The operator announces the show, keeps the area clear, starts the piece and stays with the machine throughout. Questions from the audience get answered on the spot.
Crew
Every movement runs in simulation first, until it is clean and repeatable; only then does it go onto the real machine. During the show an operator of ours keeps the area around the machine clear and stays with it the whole time, with the audience outside that area. How large that area needs to be is something we agree with you in advance, and we treat it as a condition rather than a recommendation. If your floor space cannot give us that, we say so early and suggest a different act instead.
An event day starts at EUR 3,000. A typical first engagement is around EUR 7,000 for two event days plus a development budget for a custom integration; a second event is EUR 3,000 per day with no further integration cost. That includes the setup day, transport and delivery of the machines, the act rehearsed in advance, and an operator who stays for the whole day, travel included. From you we need floor space, power, network and a defined spot for the machine. For a choreography of your own, come to us around two weeks ahead; for a link into your own system, around four.
Yes. Fight Night is a choreography rather than a contest, every movement is rehearsed beforehand, and an operator keeps the area clear. Children see a performance that impresses them, and in a corporate room the piece stays sporting rather than drastic.
Yes, as long as the movement can be filmed. Send us a video, shot on any camera, and we track the pose, retarget it onto the G1 and rehearse it in simulation. Allow around two weeks for a simple custom behaviour.
A clear area with a defined spot for the machine, power, network, and a setup day before the event. We set the show times together with your programme, so the piece does not collide with your talks or with your opening moment.
An event day starts at EUR 3,000. A typical first engagement is around EUR 7,000 for two event days plus a development budget for a custom integration; a second event is EUR 3,000 per day with no further integration cost. That includes the setup day, transport and delivery of the machines, the act rehearsed in advance, and an operator who stays for the whole day, travel included. From you we need floor space, power, network and a defined spot for the machine. For a choreography of your own, come to us around two weeks ahead; for a link into your own system, around four.
Ask about Fight Night